28 February 2010

For A Piece Of Pi

“It should finish somewhere, nahin?” he asked himself, not quite aware that she was standing not very many feet behind him. The lone window seemed resolute to pour as much light as should be possible into that dark and deprived room, but those four squares of soft sunlight that could have been are stopped short at the panes covered in patches of black linen. He was scribbling furiously at the corner of one wall, numbers that didn’t seem confined to pattern or purpose. “It should.”

“But what if it doesn’t finish here? You know like in this room, in this life. What if it needs more space to be written on, what if it needs more time to be written in?” she asked him, as she opened a small cupboard near the door, pulling out two smallish glasses and a decanter that looked like it had been around for a lot longer than either of them. He watched her pour the liquid amber in the two glasses generously. “Though what it really needs, I think, is more people to be written by.”

“Thank you.” he said as she handed him one of the glasses. They sipped in silence, staring at that abomination of a wall before them. To her, the numbers were a formidable opponent, demanding from him the time that was rightfully only hers. To him, though he couldn’t tell yet, the numbers were a formidable opponent as well, demanding a sense of pattern and a sense of purpose that he couldn’t quite put down into words. “Let’s get another marker, we still have three more walls.”

“I’ll start from this end, see? You start from your usual top-left corner. We’ll run into each other somewhere near the middle, move down by a bit, and then start writing back towards the edges.” she suggested, but he was already atop the chair, starting with the first scribble in his own corner. There was this muted tension churning in the air around him, and she could almost imagine those numbers were being pulled right out from there. “Oh, but also, why exactly are we doing this?”

“Because it should finish somewhere.” he muttered, and then stopped writing, the marker’s tip at the wall in silent introspection, and the room suddenly a little more silent than usually. She could tell her question had been received, and that a suitable response was being processed as well. But what worried her was how the marker’s tip never strayed from that point on the wall right there. “These numbers, they start at a definite point. So why can’t they end somewhere as well, see?”

“No, I am afraid I don’t. But don’t let that bother you. We’ll finish these walls, we’ll cover every last darned inch-squared. Then we’ll get very drunk, plastered even. And then, before either of us has to start slurring, you can tell me about the numbers.” he smiled a weak smile, and the marker was writing even before he had fully turned away to face the wall. She sighed softly, and decided she would need another drink before she started. “Would you like some liquid motivation too?”

“22 over 7.” he said, and kept looking at her while she tinkered with the glasses and the decanter at the other end of the room. The room around her was dark and stuffy, and two walls covered in bright green scribbles adding very little to the already challenged décor. The numbers did start at a very definite point, at a very specific digit. 3. This was followed by a monumental fullstop, and from there, numbers that didn’t seem confined to pattern or purpose. “Make it a double please.”

By:
Sarthak Prakash

6 comments:

  1. Interesting use of the alcohol!
    =D
    I wonder, though, why they call it a 'constant' since it doesn't have a definite value!
    -Nipun

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  2. This is undoubtedly another good literature work from you. But i just don't find it worth reading twice. The story lacks some story-like descriptions, characteristics, which could have fetched my imagination even further. Despite it i enjoyed reading it, if only it could have absorbed me!

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  3. the above-said comment is from me, Diwaker. i forgot add my name!

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  4. It's really short, and that could have worked, but it just doesn't. What spoiled it for me was the opening of the second paragraph. Her dialogue is, well, gratuitous: expressing sentiment way beyond what the situation seems to warrant, and setting a pseudo-philosophical tone that makes one interpret the remain in a similar vein and kinda spoils a lot of the enjoyment that one could have derived from it.

    Not that the rest is perfect. Leaving aside allusions and symbolisms, the snippet you provide is rather... not trite, really, but artificial. Dialogue suffers from similar shortcomings. Opening para was really the best.

    Time Traveler's Wife was far better prose, and your verses are better still.

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  5. what was the point of this article anyway? there's a guy doing a pointless activity, and u seem to pointlessly describing it.

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